I was walking through the Rejksmuseum in Amsterdam. I turned into a smaller room, and on one wall there was a very small frame alone on one wall. Amid the hundreds of huge artworks, I almost passed it by, but for some reason, I went over to take a look. It was a small drawing, a sketch for a piece of jewelry, done by René Lalique in 1901 or 1902. The photo I took, above, is almost full size – the drawing was maybe 3”x 5”.
Among all the artwork I admired in the museum, this was the only piece that made me think, “Ooh, I would love to do a rug of that design!”. I knew from the age of the piece that it would not be copyrighted, but of course I will always make clear that my rug is my version of his design.
When I got home, I converted my photo to a line drawing, using an app on my iPad called “Sketch”. Here is the line drawing, which I then had enlarged to rug size at my local copy shop:
When the line drawing got blown up to the size I wanted (about 30” across on the long side) some of the lines got darkened in. But it was good enough for me to trace onto linen on a light table, and I used the original print of my color photo to refer to as I hooked the details, like the little stems the pearls hang on.
The places in the design that were the color of the paper he drew it on (the yellow/brown) were meant to be open. That is, if you were wearing it on a blouse, the blouse’s color would show through those parts. So when planning the colors, I decided to keep his aqua tint where he used it, and would use a deep hand-dyed purple for the “open” areas. And I picked a mottled tan/brown for the vines and stems. Here is what it looks like so far:
For the pearls, I have used three shades of white, though you can barely notice the shading in the photo. And five of the pearls (marked with an X on my linen) will all end up being sculpted in the Waldoboro style. Here is the one Waldoboro pearl I have done so far – the top of it stands out about two inches from the surface of the rest of the rug:
I am afraid that the rug will not be as graceful as his original design was. But I do like it, and have been loving working on it.
Lalique was well established as a jewelry designer in the art nouveau style before he started making art glass, though today he is more recognized for his work in glass than his jewelry. He went on to be the first glass designer to find a way to mass-produce art glass so the pieces could be owned by more than just the wealthy.
I will end this just by giving you a glance at one of his glass pieces to admire. This is his piece called “Oranges Vase”:
It is February! Surround yourself with warm wool and hook on!